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"___ ____ is a cinematic blowtorch to the senses, burning, exposing and finally annihilating each new noir drenched nerve - ending into another thrilling, ecstatic sensation. From the second Marley Shelton starts to quiver in Josh Hartnett's arms till the closing of the elevator doors this movie is a vice holding your head in place daring you to watch it through the gaps of your fingers leaving you laughing the naughty laugh at each new delicious sin, like a box of chocolate strawberries shared between lovers you in your seat and Robert, Frank and the actors and artists on the screen each celebrating the unmitigated joy of getting away with it, honoring it and bringing it to life. ___ ____ throbs to life with the roar of engines, gunfire, rage, women and men. It's primal it's murderous and it's vital.
This is completely unlike anything you've seen in theaters. It's the greatest ShockSuspense Story ever told. Each panel stripped down and saturated. This isn't reality, this isn't down the corner. The dialogue isn't realistic, it's just the way it oughta be. ___ ____ is populated with the subconscious id-heroes of Pulp. This is the umpteenth vision of a Meyer-esque dystopian paradise of decaying grandeur and decadence. The characters spout - no erupt with the sort of high living and dying dialogue that gods speak before killing and fu**ing. You know the gods that played on silver screens before we started aching to see our own pathetic excuses for lives up there instead. No self-referential post-modern flair this this is filled with dialogue for Cagney, Bogie and Edward G. And Mickey Rourke, Bruce Willis and Clive Owen relish every line."
sheesh ya think they liked it?
Willis
Del Toro
Alba
Rourke
Big Rick says: "I'm gonna check it out"
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